Netflix knock knock
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It's rare you get a one-two punch like that on top. The top two releases are Ant-Man and Minions, which made more than $500 million and $1 billion globally, respectively. It is both a good week and a bad week on the home market. Home Market Releases for December 8th, 2015 R for disturbing violent behavior, strong sexual content, nudity and language.Īrchitecture, Artists, Infidelity, Sex Crimes, Erotic Thriller, Internet, Early / Simultaneous Video-on-Demand releaseĭragonfly Entertainment, Sobras International Pictures, Camp Greay Productions, Elevated, Black Bear October 9th, 2015 by Lionsgate Home Entertainment September 3rd, 2015 (Wide) ( Netherlands)
![netflix knock knock netflix knock knock](https://pbs.twimg.com/media/EmGPFlOXUAAAMVw.jpg)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
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“Knock Knock” is rated R for “disturbing violent behavior, strong sexual content, nudity and language,” i.e., everything anyone really wants from a movie.All Time Domestic Box Office (Rank 13,601-13,700)Īll Time International Box Office (Rank 5,401-5,500)Īll Time Worldwide Box Office (Rank 8,601-8,700)Īll Time Domestic Highest Grossing Limited Release Movies (Rank 5,601-5,700)Īll Time Domestic Box Office for R Movies (Rank 4,601-4,700)Īll Time International Box Office for R Movies (Rank 1,401-1,500)Īll Time Worldwide Box Office for R Movies (Rank 2,401-2,500) Not to mention a few surprises, the most pleasant of which is the ultimate fate of Evan’s dog. “Knock Knock” ends on a not entirely satisfactory note, but delivers a pretty mean genre wallop getting there (with almost zero gore). In his weak defense, Evan can only semi-hysterically invoke the metaphor of “free pizza” to excuse his moral trespasses, in one of the movie’s more eye-opening scenes. Roth, also one of the film’s writers, has big fun balancing the teeth-grinding vengefulness of the young women with the inescapable fact of Evan’s ethical breach. Matters escalate to the point where Evan is tied to a chair, awaiting ultimate “punishment” for his adulterous transgression. Evan’s sexy dream turns into a waking nightmare the next morning, when he discovers that his new friends have trashed his kitchen. (Their mobile phones are drenched, too.) The next half-hour of double entendres ends with Evan’s virtue compromised, not so unpredictably. The rain has given them the appearance of wet-T-shirt-contest winners, but Evan keeps his head as he kindly offers them towels and the use of his computer. Left at his upscale house in the San Fernando Valley of California while his wife and kids visit the beach, he’s interrupted one stormy night by two young women (Lorenza Izzo and Ana de Armas) who claim to be looking for a party in the neighborhood. Keanu Reeves, himself putting a funny spin on his not uncommon performance mode of melding virtue with cluelessness, plays Evan, a happy and ultra-devoted dad and husband. Here the torture is meted out by two women who initially embody a pornographic male fantasy. The mildly notorious horror director Eli Roth’s work helped bring the term “torture porn” into the cultural lingua franca his new film, the giddily sadistic black comedy “ Knock Knock,” puts a new spin on the concept.